An Outline of Trends in
Preromanticism through Romanticism
Preromanticism:
- faith in the instinctive
goodness of human beings: Anthony Ashley Cooper, 3rd Earl of Shaftesbury, "An Inquiry
Concerning Virtue or Merit"; Characteristics
- faith in the relatively high
moral and religious value of sympathy or benevolence (School of Sensibility):
Steele, Careless
Husband (drama); Geo.
Akenside, The Pleasures
of Imagination; Samuel
Rogers, The Pleasures
of Memory; Richardson,
Pamela; Stern, Tristram Shandy.
- Accurate observation of
nature, though without mysticism, sometimes with the suggestion that nature
has a religious significance (Thomson, the Seasons
- Elegiac interest: in death,
mutability, mourning, melancholy (Graveyard School): Blair’s "The Grave";
Gray’s "Elegy in a Country Churchyard"
- Interest in humanitarian
movements and reforms (origin of labor standards, child labor laws, slave
trade, mental health, and penal reform
- Interest in kindness toward
animals
- A democratic attitude:
insistence on the rights and dignity of man, and on the freedom of the
individual socially and politically
- Attacks upon wrongs in the
established order or in conventional usages: political, economic, social, or
educational
- Interest in the state of
nature: the "noble savage" preference for the simple life of earlier ages,
primitive religions, folk-poetry.
- Interest in the medieval
period as a age of faith, chivalry, and poetry
- Attacks on Pope and other
neo-classical authors
- Revival or imitation of older
forms of verse: ballads, sonnets, blank verse, Spenserian stanzas etc.
- Use of local dialects and
color
- Translation or imitation of
Oriental tales, Scandinavian, or old Celtic tales or literature
- Development of the historical
novel, the Gothic school, and the School of Terror
- Development of literary
theories and literary criticism, stressing the relatively greater importance
of the imaginative, emotional, intuitive, free, individual, and particular
over the rational, formal, and general.
- Exaltation of Shakespeare,
Spenser, and Milton
- Period of violent and
Revolutionary spirit, especiallyAmerica and France.
Romanticism
- Interest in German aesthetics
and philosophy: Kant, Schiller, Schlegel Bros, Schelling Goethe, and in Italy,
Spinoza and in Spain, Calderon.
- Pantheism
- Madness
- Breaking aesthetic, artistic,
and perceptive boundaries of time and space (Dante, Milton, Virgil)
- Struggle of artist to
discover or create a higher order in a chaotic universe
- Society is not normative, but
part of the meaningless world.
- Visionary imagination, not
simply dream, but often nightmarish.
- Implies variety, rather than
homogeneity; details, particulars, "fine isolated verisimilitude"
first, and broad, general truth only later.
- Fragmentation,
incompleteness, and ruin (as modalities which are part of the phenomemology of
human awareness; McFarland says, are the diasparactive triad—breaking into
pieces—are at the very center of life; Hegel says, "In existence there is a
permanent incompleteness which cannot be evaded" (städige Unganzheit—which
cannot be evaded).
- Individuality
- Implies transcendence
- Romantic ego is confessional
(from Rousseau and Montaigne), autobiographical, portraits of the self
- Romantic consciousness: self
as measure/problem
- Nature as subject matter, as
model and guide, as repository of physical, moral, and spiritual value capable
of inspiring the creative mind; as guide for, and insight into, man’s life
whereas classicist starts with man and treasures nature only insofar as it
confirms prior ideas about what man is.
- Idealism, particularly among
the younger Romantics, fascination with a world beyond reality, though selfdom
conceived of in a conventional religious sense.
- Imagination as the means of
reaching truth through creativity rather than, or at least superior to,
rational, logical, ratiocination, subject to development—maturation and
decline.
- Increased awareness and
sensibility to themes of mutability in self and nature
- Despair, disillusionment, or
dejection—the Romantic equivalent of doubt or loss of faith in formerly held
hopes and belief.
- Implies "romance," as exotic,
new, even strange and fresh experience, advemture
- Whereas the classicist
relives and conforms to tradition (the values of the experience patterns
proven by time), the Romantic discovers what
s/he hopes are new values, new
experience patterns, and his/er impulse is to rebel against any restriction
upon that process of discovery, that quest for new and higher truth.
Key Terms in
Romanticism:
Organicism, subjective, emotion,
intuition, self, ruins, mountains, crags, vistas, conversation in poetry, lyric,
ode, lamp, energy, tragedies, Plato vitalism, memory, darkness, caves, action,
demythologized universe, psychological, childhood, yearning, striving, sublime,
desire, guilt and remorse, rebellion, futurity, symbolism, Negative
Capability,
Key terms in
Neo-Classical
Deism, objectivity, general
mechanistic, rational, epic, satire, mirror, logic, thought (reason),
aristocracy, tabula rasa, Rules and reguations, society, wit,
comedies.
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