FL 380: An Archaeology of the "Boom":
Modern Latin American Prose Fiction
Reading Guide to Fuentes #1
The Death of Artemio Cruz
- 3 "I wake up... The touch of that cold object . . . I could urinate
without being aware . . . I keep my eyes shut."
a. Status of Artemio Cruz
- 3 "That's what I am"
a. What sort of reflection is this in the mirror?
b. Is the self unitary or fragmented?
i. Narrative implications
- 3 "I am that eye [that "I"?] furrowed by accumulated
rage..."
- 4 "Look, Doctor, he's just faking... (. . .) Even now in the hour
of his death he has to trick us."
- 5 "I ask, ask that my face and my body be given back to me."
a. The self as "face" and "body"
- 6 "That morning I waited for him with pleasure. We crossed the
river on horseback. (. . .) I'd like to go back there, Catalina. How useless."
a. A memory? If so, what does it evoke?
- 6 "I survived. Regina, it hurts, Regina, I realize that it hurts."
a. What hurts?
- 6 THE SELF BREAKS UP IN THREE VOICES: I, You, and He.
a. First Person Narrative: A self-exalting "I"
b. Second Person Narrative: Part of him and yet outside him: the conscience
or superego.
c. Third Person Narrative: A more detached aspect form of the self that
is also capable of seeing others.
- 7 "His twin. Artemio Cruz. His double." ??
- 7 A date: April 9, 1959
- 8 An age: 71 : and a year of birth: 1888
- 8 The paradox of fear in the airplane.
- 8 A short anatomy of profit.
- 9-10 A detailed map of riches
a. A 1959 $1 million would roughly be a 1997 $6 million
- 10 "The reflected twin will join the other" ??
- 11 "You will remember the half you left behind: destiny will find
you . . . if you could find it again at the end."
- 13 A look at Father, Mother, and Daughter.
- 19 A deal with the gringos
- 22 "What useless affection, Catalina."
a. The married life.
- 23 A repetition: "That morning I waited for him with pleasure.
We crossed the river on horseback."
a. Why does this memory return?
- 24 Artemio, the priest, and the founding myth of Christianity
- 25 Is to remember to die a little?
- 26-27 Artemio Cruz and Octavio Paz's concept of malinchismo
a. Loving the enemy to death.
- 27 A comparison from difference: "Never have you been able to
think in black and white, good guys v. bad guys, God or the Devil..."
- 28 Uniting opposites: "You yourself will block oblivion..."
a. Joining desire and destiny.
- 32 Don Gamaliel Bernal's knowledge.
a. His passivity v. Artemio's action
- 32 Don Gamaliel's mask
- 36-37 Survival
a. An agreement between "gentlemen"
- 39-41 A worthy minister of the Church
- 44-45 The new world and the new man: Artemio Cruz
- 47-48 Catalina's resolve
- 49 Another love story
- 51 A repetition: "That morning I waited for him with pleasure.
We crossed the river on horseback."
- 52 A man and his newspaper
- 56-57 Chaos, order, and survival
a. Memory is satisfied desire
b. Survival through memory
- 57 Regina and Artemio
- 60 An encounter by the sea
- 64 A young Artemio remembers where he comes from and why he fights.
- 65 What "reflected image of fiction" is this?
- 67 An epiphany of fear
- 68 "there was an unbridgeable gap"
- 69 A double appears
- 70 "He wanted to see his reflection..."
- 71 The double dies
- 72 The traitor and the hero: "Damnit, Lieutenant..."
a. "The thread was broken..."
- 72-73 Major Gavilán: a witness to Artemio Cruz's "bravery"
- 75 Regina: "swaying in the wind.."
- 76-77 The mythical beach of fiction:
a. Regina at the beach and/or the officer's quarters
- 78 The traitor and the hero: "It was no longer the horse of a
wounded man"
- 79 The toll of survival
- 79-80 Artemio's views on pride
- 82 A repetition: "That morning I waited for him with pleasure.
We crossed the river on horseback."
- 82 Artemio's view of Christian mythology
- 85 Catalina's gesture
- 86 "You will survive, Artemio Cruz, you will survive because you
will expose yourself to the risk of freedom."
- 86 What is necessary for survival?
a. Exposing oneself to the risk freedom
b. virtue
c. pride
d. humility